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Aside from the innovative design of the Element’s capsule and chassis, the story behind the microphone’s sonic development and final voicing is equally remarkable. Review: Aston Microphones Stealth Aston’s latest microphone is a versatile dynamic. Forget musical typing and hit the right notes – without spending all your banknotes. It has the delicacy and detail of a condenser along with the high sound-pressure level handling capabilities of a rugged dynamic design, all of which means you can use it close to loud electric guitar amplifiers and drum kits, as well as softer instruments. This is without a doubt the most noise-free mic we’ve ever tested, and that covers a wide spectrum. It was noted during the side-by-side test that, while the £3,600 valve mic’s sound is more expansive (as well as being more expensive) than the Element’s, the more affordable Aston has a tighter focus. It’s the first giant-killer of the new decade. When it’s the latest inconceivably designed creation to spring forth from within Aston’s Hertfordshire-based headquarters. Don't miss the latest deals, news, reviews, features and tutorials. Boosting at 15kHz adds a wonderful halo of air and shows clearly how the Element’s clean and extended top end responds beautifully to extreme high-end enhancement. Placing the Element in front of an acoustic guitar in our go-to position of about eight inches from the 12th fret again highlights the full-bodied nature of the mic with a little upper-bass boom. Importantly, the physical aspects of the mic play a crucial role in its performance, hence the waveguide at the base of the capsule. We head to South Fremantle, Australia, to check the vibe of the young indie-electronic producer's creative space. While other microphones may offer a more seductive sound across the frequency range, presenting a rose-tinted view of the source material, the Element takes a no-nonsense approach, providing a robust low-end foundation from which higher frequencies can soar. Shure’s popular SM7B is possibly the closest in character but it’s more than twice the price and lacks the Element’s extreme top extension. A multiple award-winning mix of beauty & … The Aston Microphones Origin continues to impress. Mix with the entire Beatport catalogue on virtual decks. But the Element excels as a vocal mic and easily outperforms most similarly priced condensers. 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This is without a doubt the most noise-free microphone we’ve ever tested, and that covers a wide spectrum. There was a problem. Our exploration of LiquidSonics’ oeuvre reaches its celestial summit, as we ascend to seventh heaven. In the box you get the mic, a mic stand mount, a 5⁄8 inch to 3⁄8 inch mic stand adapter, a manual, and a few extra goodies. Here are some fundamentals. Something new this way comes. Although Aston Microphones are a new company, the people behind the brand have no shortage of experience in this market. We are consistently impressed with the Element’s performance on a variety of audio sources. This a quality all-rounder of a mic and competitively priced to boot. It simply picks up and reproduces vocals and instruments as I hear them with my ears. Receive mail from us on behalf of our trusted partners or sponsors? There are two switches on the stainless steel casing: 10dB pad and 80Hz low-cut filter. It’s firm low-end brings out the best in tom and if you don’t have a kick-drum mic, the Element can deal with that too. Who is the best online guitar personality of 2020? Aston Microphones created quite a splash with their fixed-cardioid Origin microphone, and now they’ve followed up with the multi-pattern Spirit. Delivers a natural and detailed sound across a wide variety of sources at a price that is hard to ignore. Like the Origin, the Spirit is designed, built and tested here in the UK, and combines selected third-party capsules with very high-quality electronics. Waveguides are a common feature of many modern monitors but this is the first mic we’ve encountered that harnesses this technology. You can always unsubscribe (so you won't receive any more e-mails) by clicking on the unsubscribe link at the bottom of each e-mail. With regards to multi-mic’ing drum kits, the Element sounds both fat and fast as a spot mic on top of the snare drum, providing a weightier character than a Shure SM57. It can even be attached upside down, away from the capsule, when not required. Delivers a natural and detailed sound across a wide variety of sources at a price that is hard to ignore. We round up some of our favourite sites for fresh, inspiring samples. By checking the boxes you agree to receive the following from us via e-mail. All the features of the Moog Concertmate MG-1 wrapped up in an attractive interface. Sarah Schachner and Jesper Kyd on how they mixed modern techniques with ancient instruments for Assassin’s Creed Valhalla. All rights reserved. Throughout this review period, we are consistently impressed with the Element’s performance on a variety of audio sources. The broad midrange is as pure as many expensive condenser mics and, compared with Aston’s rounder-sounding Spirit, for example, it packs a firmer punch. Our Verdict. Price £160 Bundle price Contact Aston Microphones. It has a nice, clean top end to it – really pleasing to the ear. The Stealth by Aston Microphones is a meticulously crafted masterpiece of a microphone, but it is not for everyone. In the run-up to the Swedish producer’s next album, Diving For Lost Treasure, he walks us through the emotive and upbeat single. When is a condenser microphone not a condenser microphone? When it’s the latest inconceivably designed creation to spring forth from within Aston’s Hertfordshire-based headquarters. This is not a characterful mic, or what we think of as an additive tool; on nearly all sources the Origin is a clear and able translator. Future Publishing Limited Quay House, The Ambury, The XLR connection is on the underside of the mic, as is a mic stand mounting socket (5/8-inch with a 3/8-inch adaptor included). If you only ever own one microphone, it’s important that it’s able to cover all or at least most of your recording requirements. The mic’s low-cost high performance is the result of 18 months of development and deliberation by Aston head honcho James Young and chief designer Trevor Szynk in tandem with more than 4,000 customers invited to comment on the mic’s character. While both condenser mics sound wonderful in their own way, the presence and punch of the Element suited our vocalist brilliantly. Boutique appearance. Vocals are a clear winner here, with plenty of scope for playing the mic from close-up intimacy to a more roomy distance without losing or altering the voice. Aston has established itself as a maker of microphones that deliver high-end performance at a more-than-reasonable price—the distinctive-looking Origin and Spirit (reviewed here a while back) large-diaphragm condensers and the laser-aimed Starlight instrument mic are well on their way to becoming modern classics. But there’s the rub: the proviso there is “quiet for a valve mic”. This is soon sorted by employing the high-pass filter on our valve Freebird equaliser and a touch of low-end shelf cut. With one of the most democratic R&D processes we’ve ever seen, Best Studio Monitoring Headphones Reviews Clean electric guitar comes out sounding full with the Aston Origin, with an emphasis on the mids and highs. We were impressed with how the cooling system on the recently reviewed Golden Age GA-800G valve mic reduced noise, making it possibly the quietest valve mic on the market. 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